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Jordaan, June
Fesenko, Valentina
Hory, Gergely
2025-11-18T14:06:38Z
2025-11-18T14:06:38Z
2025
2064-2520hu_HU
http://hdl.handle.net/20.500.14044/35577
In architectural education, the traditional design process often begins with an abstract concept that precedes all subsequent architectural decisions. This denotes a sequence in thinking that departs from the abstract (typically language and diagrams) and culminates in concrete architectural environments intended for human inhabitation. This paper challenges this sequence and proposes a method starting from concrete experience, which prioritises human experience over abstraction. The proposed sequence begins with immersion and experience, leading to the development of an image, concluding with representation. To do so this paper discusses two parallel student projects, in Budapest and Cape Town, where students were required to immerse themselves in urban and architectural environments and capture phenomena and people / place reciprocities through film. By critiquing the complexities of abstraction, and discussing the student projects and feedback, this researchillustrates the merits of an architectural approach that suspends initial abstraction and prioritises the more phenomenological approach of immersion and embodied interaction with architectural and urban phenomena.hu_HU
dc.formatPDFhu_HU
enhu_HU
A Tale of Two Cities: Investigating the Sensory and Embodied Aspects of Placehu_HU
Open accesshu_HU
Óbudai Egyetemhu_HU
Budapesthu_HU
Ybl Miklós Építéstudományi Karhu_HU
Óbudai Egyetemhu_HU
Műszaki tudományok - építőmérnöki tudományokhu_HU
sensorial experiencehu_HU
embodimenthu_HU
the everydayhu_HU
phenomenologyhu_HU
architecturalhu_HU
educationhu_HU
Tudományos cikkhu_HU
YBL Journal of Built Environmenthu_HU
local.tempfieldCollectionsFolyóiratcikkekhu_HU
10.12700/jbe-2025-0005
Kiadói változathu_HU
11 p.hu_HU
1. sz.hu_HU
10. évf.hu_HU
2025hu_HU
Óbudai Egyetemhu_HU


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