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Benárd, Aurél
2025-04-07T10:09:13Z
2025-04-07T10:09:13Z
2016
2064-2520hu_HU
http://hdl.handle.net/20.500.14044/28692
The changes which took place a quarter of a century ago in the countries of Europe’s Eastern Bloc transformed the social conventions of the time. A kind of social dialog has been started, about the Holocaust amongst other things. New memorials and monuments dedicated to the Holocaust have been constructed in the countries of the region as a result. Several phases can be identified in the building of monuments to the Holocaust over the past 25 years. These changes in the process of recollection and in the building of the monuments themselves are typified by the House of Fates project. The memorial center was built in Budapest for the 70th anniversary of the Holocaust. But the changes in recollection did not stop there, did not come to a standstill in Hungary. It is a mark of the sensitivity of the subject that although the center was finished by the fall of 2015, it has still not opened its gates to the public. In the meantime the project has appeared in several Hungarian professional journals, however these articles do not venture far beyond the realm of basic description. Here we are attempting to analyze the project architecturally. Our analysis shows how the initial usage of primary symbols turns to more contemplative, more abstract images and devices.hu_HU
dc.formatPDFhu_HU
enhu_HU
Remembrance and Architecture the House of Fates Projecthu_HU
Open accesshu_HU
Óbudai Egyetemhu_HU
Budapesthu_HU
Ybl Miklós Építéstudományi Karhu_HU
Óbudai Egyetemhu_HU
Műszaki tudományok - építészmérnöki tudományokhu_HU
Holocaust museumhu_HU
historical railway stationhu_HU
memorial siteshu_HU
monumenthu_HU
heritagehu_HU
Tudományos cikkhu_HU
YBL Journal of Built Environmenthu_HU
local.tempfieldCollectionsFolyóiratcikkekhu_HU
Kiadói változathu_HU
11 p.hu_HU
1. sz.hu_HU
4. évf.hu_HU
2016hu_HU
Óbudai Egyetemhu_HU


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